Nina Laaf deals with strategies of irritation, alienation, as well as context shifting, and investigates material textures and their limits.

Her latest works are characterised by a play between presence and absence and the question of what constitutes the actual, the essential, the original in colour and form.

Just as das Eigentliche (the actual) may mean something different for everyone – sometimes eigentlich describes an intention that has already been (almost) discarded.

Nina Laaf's abstracted material compositions and juxta- positions can be read individually and become tangible and above all approachable for us.