Finja Sander chooses the medium of performance as a recurring constant in her works. She looks for breaks and ambivalences in the everyday, for disregarded automatisms that she picks out, isolates and brings into new contexts within multi-part processes.
In Sanders multimedia work series Für Morgen (For Tomorrow), Finja Sander continues and develops her intensive questioning of German culture of remembrance and commemoration.
Her own body is a source of impulses, a catalyst, a kind of seismograph. Strategies of staging and exaggerating gestures deepen and consolidate her performative theses. These develop into, among other things, expansive, space-specific sculptures and installations.
